We are a collective specializing in audiovisual communication, investigative journalism, and photographic essays. We have been working together since 2018, weaving networks of respect and reciprocity.
Our work is rooted in a deep conviction: that it is necessary to imagine and practice another way of doing journalism. A journalism that moves away from extractive immediacy and draws closer to the living time of territories; that listens before speaking, builds relationships based on respect, and collectively agrees on what can be shown and what should remain within the intimacy of the lives that open their doors to us.
We seek to tell stories from an ethical perspective that intertwines the cultural and spiritual world with struggles in defense of life. For years, we have walked alongside Indigenous peoples, peasant communities, and urban sectors resisting dispossession, while proposing ways of life that challenge the dominant model. Along the way, we came to understand that documenting is also a form of participation: making space for the words of others, inhabiting conflict without simplifying it, and allowing the image to become a place of encounter and resonance.
In a context of climate collapse, structural violence, and a crisis of meaning, where the idea that there are no alternatives is imposed upon us, we believe it is urgent to commit to community-based models that restore our bonds with the land, water, ancestral knowledge, and networks of care. We do this through photography, journalism, and audiovisual language, exploring multiple formats that allow us to expand the narrative and amplify voices that have been historically silenced.
And because we believe in the power of sensibility —that place where art and culture open dialogues that pure rationality cannot reach—, in every town and city we build spaces of encounter centered on the aesthetic, emotional, and collective experience that art offers. Through our exhibitions, we seek to welcome other possible conversations: ones that move us, unsettle us, and, above all, invite us to imagine new ways of living.
We are convinced that justice is not possible without bringing together human rights and socio-environmental rights. In the plurality of perspectives, memories, and bodies lies our greatest strength as a society.
He has worked as a documentary photographer since the age of 18. He collaborates with various international media outlets, including NatGeo, Stern, Libération, and L’Espresso. He won the World Press Photo award in 2024 and received the National Geographic Explorer grant in 2023, among other prestigious awards: Henri Nannen (2018), Greenpeace (2018), Philip Jones Griffiths Foundation (2017), and Manuel Rivera Ortiz Foundation (2016), among others. His work has been exhibited in some of the most important museums and festivals in Europe. He is the author of the book The Human Cost of Agrotoxins.
He is a journalist, teacher, and producer. He has worked for the newspapers Crónica, Crítica de la Argentina, and Perfil, among others. He is co-founder of the self-managed media outlet Revista Cítrica and of Agencia Tierra Viva. He writes for Gatopardo, El País, Rolling Stone, El Desconcierto, Interferencia, La Diaria, Tiempo Argentino, and Revista Mu, among other media outlets.
She has more than 30 years of professional experience working in external accounting audit firms, financial accounting management for SMEs, and as an independent professional specializing in M&A, startups, and business due diligence processes. She graduated from the Faculty of Economic Sciences at the University of Buenos Aires, holds a Master’s degree in Business Administration from Universidad del CEMA, and pursued doctoral studies in Business Management at Universidad del CEMA. Her doctoral thesis project explores common good multipliers and triple-impact projects. She is in charge of the cooperative’s organizational, administrative, and financial management.